Scott Gendel
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How To Believe In Magic
ALL WORKS
SOLO VOCAL
CHORAL
DRAMATIC WORKS
CHAMBER
ORCHESTRA & BAND
SOLO VOCAL WORKS
by instrumentation:
VOICE & PIANO
Advice To Those Like Me, With Hearts Like Kindling
(song for soprano and piano; 4.5')
Annabel Lee
(song for baritone and piano; 7')
Enlightenment
(for one or two voices and piano; 4’)
For Miriam
(5 love songs for voice and piano; 11')
Forgotten Light
(song cycle for voice and piano; 17')
Gentle Words
(duet for 2 voices and piano; 4')
Grandma’s Kitchen
(song cycle for high voice and piano with optional narrator; 20’)
I'm Afraid It's You
(song cycle for tenor / high voice and piano; 12')
Italian Art Songs and Arias, Reimagined
(eight songs for voice and piano; 18')
It’s You I Like
(
arrangement for voice and piano; 3')
Keats Songs
(
song cycle for medium-high voice and piano; 14')
Keep Moving
(song cycle for soprano, tenor, and piano; 27')
Kids Who Die
(
song / aria for voice and piano; 9’)
The Long Road
(song for voice & piano; 6')
Love Songs of Marichiko
(
13 songs for mezzo-soprano and piano; 25')
Meditation at Oyster River
(song for soprano and piano; 9')
My Beloved
(
for unaccompanied solo voice; 3')
My Songs Do Not Belong To Me
(
song cycle for voice and piano; 15')
My Symphony
(
for voice and piano; 3')
The New Colossus
(for voice and piano; 5')
A Noiseless Patient Spider
(for voice and piano; 4’)
Prayer for the Dazed
(for voice and piano; 5')
Return and Return Again
(for voice and piano; 6')
The Space Between
(song cycle for high voice and piano; 20')
Spring
(duet for two sopranos and piano; 5')
To Wander in the Dark
(song cycle for high voice and piano; 18')
Violi Songs
(song cycle for voice and piano; 8')
What We Did Not Know
(song cycle for bass-baritone and piano; 17')
VOICE & CHAMBER ENSEMBLE
At Last
(for voice, cello, and piano; 4')
DiPrima Songs
(song cycle for soprano and clarinet; 12')
Evensong
(song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
Facts About the Moon
(for soprano, flute, cello, guitar, piano, and percussion; 11')
GIC to HAR
(for high voice and string quartet; 7')
Metamorphosis
(for voice and harp; 4')
My Symphony
(for voice and string quartet; 3')
Patterns
(for mezzo-soprano, flute, and piano; 9')
Player Piano
(for singing actor and piano 4-hands; 5')
Shadow Songs
(song cycle for soprano and violin; 10')
Since I Left You
(for tenor, violin, guitar, and harp; 4')
Songs for Marie's Lutebook
(for voice and guitar; 8')
Spelt from Sibyl's Leaves
(song for medium-high voice, violin, and harp; 7' (2001)
Thoughts
(song for soprano, cello, and harpsichord; 6')
To Keep The Dark Away
(song cycle for soprano, cello, and piano; 16’)
Worship Songs
(two songs for high voice and percussion; 10’)
VOICE & ORCHESTRA
All Souls
(cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
Barbara Allen
(oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
For Miriam
(5 love songs for voice & chamber orchestra; 11')
I Dreamed
(song for baritone and small chamber orchestra; 5')
Outside the Leaves were Falling
(for soprano, mezzo-soprano, tenor, and chamber orchestra; 10')
by voice type:
FLEXIBLE / MULTIPLE TRANSPOSITIONS
At Last
(for voice, cello, and piano; 4')
Enlightenment
(for one or two voices and piano; 4’)
Gentle Words
(duet for 2 voices and piano; 4')
Italian Art Songs and Arias, Reimagined
(eight songs for voice and piano; 18')
It’s You I Like
(arrangement for voice and piano; 3')
Kids Who Die
(song / aria for voice and piano; 9’)
The Long Road
(song for voice & piano; 6')
Metamorphosis
(
for voice and harp; 4')
My Beloved
(for unaccompanied solo voice; 3')
My Symphony
(
for voice and piano, also orchestrated for string quartet; 3')
The New Colossus
(
for voice and piano; 5')
A Noiseless Patient Spider
(for voice and piano; 4’)
Player Piano
(for singing actor and piano 4-hands; 5')
Prayer for the Dazed
(for voice and piano; 5')
Songs for Marie's Lutebook
(for voice and guitar; 8')
Violi Songs
(song cycle
for voice and piano; 8')
SOPRANO
Advice To Those Like Me, With Hearts Like Kindling
(song for soprano and piano; 4.5')
All Souls
(cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
Barbara Allen
(oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
DiPrima Songs
(song cycle for soprano and clarinet; 12')
Evensong
(song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
Facts About the Moon
(for soprano, flute, cello, guitar, piano, and percussion; 11')
For Miriam
(5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
GIC to HAR
(for medium-high voice and string quartet; 7')
Grandma’s Kitchen
(song cycle for high voice and piano with optional narrator; 20’)
Keep Moving
(song cycle for soprano, tenor, and piano; 27')
My Songs Do Not Belong To Me
(song cycle for voice and piano; 15')
Return and Return Again
(for voice and piano; 6')
Shadow Songs
(song cycle for soprano and violin; 10')
The Space Between
(
song cycle for high voice and piano; 20')
Spring
(duet for two sopranos and piano; 5')
To Keep The Dark Away
(song cycle for soprano, cello, and piano; 16’)
To Wander in the Dark
(song cycle for high voice and piano; 18')
Worship Songs
(
two songs for high voice and percussion; 10’)
MEZZO SOPRANO / ALTO
Forgotten Light
(song cycle for medium-high voice and piano; 17')
GIC to HAR
(for medium-high voice and string quartet; 7')
Keats Songs
(song cycle for medium-high voice and piano; 14')
Love Songs of Marichiko
(13 songs for mezzo-soprano and piano; 25')
Meditation at Oyster River
(song for mezzo-soprano and piano; 9')
Patterns
(for mezzo-soprano, flute, and piano; 9')
Spelt from Sibyl's Leaves
(
song for medium-high voice, violin, and harp; 7')
TENOR
Barbara Allen
(oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
For Miriam
(5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
I'm Afraid It's You
(song cycle for tenor / high voice and piano; 12')
Keep Moving
(song cycle for soprano, tenor, and piano; 27')
The Long Road
(song for voice & piano; 6')
Return and Return Again
(for voice and piano; 6')
Since I Left You
(
for tenor, violin, guitar, and harp; 4')
The Space Between
(
song cycle for high voice and piano; 20')
To Wander in the Dark
(
song cycle for high voice and piano; 18')
Worship Songs
(
two songs for high voice and percussion; 10’)
BARITONE / BASS
All Souls
(cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
Annabel Lee
(song for baritone and piano; 7')
I Dreamed
(song for baritone and small chamber orchestra; 5')
What We Did Not Know
(
song cycle for bass-baritone and piano; 17')
Home
Biography
Works Composed
Vocal
Choral
Chamber
Dramatic Works
Orchestra & Band
More Music
Purchase
Contact
How To Believe In Magic