Scott Gendel
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 Scott's musical works:

ALL WORKS            SOLO VOCAL            CHORAL           DRAMATIC WORKS           CHAMBER          ORCHESTRA & BAND

SOLO VOCAL WORKS
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​                    by instrumentation:

VOICE & PIANO
  • Advice To Those Like Me, With Hearts Like Kindling (song for soprano and piano; 4.5')
  • Annabel Lee (song for baritone and piano; 7')
  • Enlightenment (for one or two voices and piano; 4’)
  • For Miriam (5 love songs for voice and piano; 11')
  • Forgotten Light (song cycle for voice and piano; 17')
  • Gentle Words (duet for 2 voices and piano; 4')
  • Grandma’s Kitchen (song cycle for high voice and piano with optional narrator; 20’)
  • I'm Afraid It's You (song cycle for tenor / high voice and piano; 12')
  • Italian Art Songs and Arias, Reimagined (eight songs for voice and piano; 18')
  • It’s You I Like (arrangement for voice and piano; 3')
  • Keats Songs (song cycle for medium-high voice and piano; 14')
  • ​Keep Moving (song cycle for soprano, tenor, and piano; 27')
  • Kids Who Die (song / aria for voice and piano; 9’)
  • The Long Road (song for voice & piano; 6')
  • Love Songs of Marichiko (13 songs for mezzo-soprano and piano; 25')
  • Meditation at Oyster River (song for soprano and piano; 9')
  • My Beloved (for unaccompanied solo voice; 3')
  • My Songs Do Not Belong To Me (song cycle for voice and piano; 15')
  • My Symphony (for voice and piano; 3')
  • The New Colossus (for voice and piano; 5')
  • A Noiseless Patient Spider (for voice and piano; 4’)
  • ​Prayer for the Dazed (for voice and piano; 5')
  • Return and Return Again (for voice and piano; 6')
  • The Space Between (song cycle for high voice and piano; 20')
  • Spring (duet for two sopranos and piano; 5')
  • To Wander in the Dark (song cycle for high voice and piano; 18')
  • Violi Songs (song cycle for voice and piano; 8')
  • What We Did Not Know (song cycle for bass-baritone and piano; 17')

VOICE & CHAMBER ENSEMBLE
  • At Last (for voice, cello, and piano; 4')
  • DiPrima Songs (song cycle for soprano and clarinet; 12')
  • Evensong (song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
  • Facts About the Moon (for soprano, flute, cello, guitar, piano, and percussion; 11')
  • GIC to HAR (for high voice and string quartet; 7')
  • Metamorphosis (for voice and harp; 4')
  • My Symphony (for voice and string quartet; 3')
  • Patterns (for mezzo-soprano, flute, and piano; 9')
  • Player Piano (for singing actor and piano 4-hands; 5')
  • Shadow Songs (song cycle for soprano and violin; 10')
  • Since I Left You (for tenor, violin, guitar, and harp; 4')
  • Songs for Marie's Lutebook (for voice and guitar; 8')
  • Spelt from Sibyl's Leaves (song for medium-high voice, violin, and harp; 7' (2001)
  • Thoughts (song for soprano, cello, and harpsichord; 6')
  • To Keep The Dark Away (song cycle for soprano, cello, and piano; 16’)
  • Worship Songs (two songs for high voice and percussion; 10’)

VOICE & ORCHESTRA
  • All Souls (cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
  • Barbara Allen  (oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
  • For Miriam (5 love songs for voice & chamber orchestra; 11')
  • I Dreamed (song for baritone and small chamber orchestra; 5')
  • Outside the Leaves were Falling (for soprano, mezzo-soprano, tenor, and chamber orchestra; 10')


                    by voice type:

FLEXIBLE  /  MULTIPLE TRANSPOSITIONS
  • At Last (for voice, cello, and piano; 4')
  • Enlightenment (for one or two voices and piano; 4’)
  • Gentle Words (duet for 2 voices and piano; 4')
  • Italian Art Songs and Arias, Reimagined (eight songs for voice and piano; 18')
  • It’s You I Like (arrangement for voice and piano; 3')
  • Kids Who Die (song / aria for voice and piano; 9’)
  • The Long Road (song for voice & piano; 6')
  • Metamorphosis (for voice and harp; 4')
  • My Beloved (for unaccompanied solo voice; 3')
  • My Symphony (for voice and piano, also orchestrated for string quartet; 3')
  • The New Colossus (for voice and piano; 5')
  • A Noiseless Patient Spider (for voice and piano; 4’)
  • Player Piano (for singing actor and piano 4-hands; 5')
  • ​​Prayer for the Dazed (for voice and piano; 5')
  • Songs for Marie's Lutebook (for voice and guitar; 8')
  • Violi Songs (song cycle for voice and piano; 8')

SOPRANO
  • Advice To Those Like Me, With Hearts Like Kindling (song for soprano and piano; 4.5')
  • All Souls (cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
  • Barbara Allen  (oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
  • DiPrima Songs (song cycle for soprano and clarinet; 12')
  • Evensong (song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
  • Facts About the Moon (for soprano, flute, cello, guitar, piano, and percussion; 11')
  • For Miriam (5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
  • GIC to HAR (for medium-high voice and string quartet; 7')
  • Grandma’s Kitchen (song cycle for high voice and piano with optional narrator; 20’)
  • ​Keep Moving (song cycle for soprano, tenor, and piano; 27')
  • My Songs Do Not Belong To Me (song cycle for voice and piano; 15')
  • Return and Return Again (for voice and piano; 6')
  • Shadow Songs (song cycle for soprano and violin; 10')
  • The Space Between (song cycle for high voice and piano; 20')
  • Spring (duet for two sopranos and piano; 5')
  • To Keep The Dark Away (song cycle for soprano, cello, and piano; 16’)
  • To Wander in the Dark (song cycle for high voice and piano; 18')
  • Worship Songs (two songs for high voice and percussion; 10’)

MEZZO SOPRANO / ALTO
  • Forgotten Light (song cycle for medium-high voice and piano; 17')
  • GIC to HAR (for medium-high voice and string quartet; 7')
  • Keats Songs (song cycle for medium-high voice and piano; 14')
  • Love Songs of Marichiko (13 songs for mezzo-soprano and piano; 25')
  • Meditation at Oyster River (song for mezzo-soprano and piano; 9')
  • Patterns (for mezzo-soprano, flute, and piano; 9')
  • Spelt from Sibyl's Leaves (song for medium-high voice, violin, and harp; 7')

TENOR
  • Barbara Allen  (oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
  • For Miriam (5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
  • I'm Afraid It's You (song cycle for tenor / high voice and piano; 12')​
  • ​Keep Moving (song cycle for soprano, tenor, and piano; 27')
  • The Long Road (song for voice & piano; 6')
  • Return and Return Again (for voice and piano; 6')
  • Since I Left You (for tenor, violin, guitar, and harp; 4')
  • The Space Between (song cycle for high voice and piano; 20')
  • To Wander in the Dark (song cycle for high voice and piano; 18')
  • Worship Songs (two songs for high voice and percussion; 10’)

BARITONE / BASS
  • All Souls (cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
  • Annabel Lee (song for baritone and piano; 7')
  • I Dreamed (song for baritone and small chamber orchestra; 5')
  • What We Did Not Know (song cycle for bass-baritone and piano; 17')

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website copyright © 2021 Scott Gendel, all rights reserved
  • Home
  • Biography
  • Works Composed
    • Vocal
    • Choral
    • Chamber
    • Dramatic Works
    • Orchestra & Band
  • More Music
  • Purchase
  • Contact
  • How To Believe In Magic