Scott Gendel
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How To Believe In Magic
ALL WORKS
SOLO VOCAL
CHORAL
DRAMATIC WORKS
CHAMBER
ORCHESTRA & BAND
CHORAL WORKS
MIXED CHOIR A CAPPELLA
All Weeping Things
(three songs for SATB choir a cappella; 11')
Ave Verum Corpus, after Byrd
(for double choir, SSAATTBB; 10')
A Dream Within A Dream
(for SATB choir; 5')
Eternal Summer
(for mixed choir; 5')
The Glory of Life
(for mixed choir; 6')
Instructions for Angels
(for 6-part mixed choir; 6')
In Summer
(for mixed choir a cappella; 3’)
Juno’s Garden
(for SSATBB mixed choir; 5')
The Last Invocation
(for 6-part mixed choir; 5')
Little Things
(for mixed choir, a cappella; 3’)
Midwinter (I Sorrow Not)
(for 5 choirs, a cappella; 6-9')
The Night Knight
(Madrigal Comedy for all ages, for 5-part mixed choir or 5 solo voices; 40')
Now Blue October
(for SSATTB choir; 4')
Peace, Everywhere
(for mixed choir and 3-part descant; 5')
The Premonition
(for SSATTB choir; 5')
The Road of Excess
(for SSATTB mixed choir; 6')
She Waits for Me
(for mixed choir, a cappella; 4’)
Ten Thousand Miles
(arrangement for quadruple SATB choirs; 5')
Two Spring Songs
(for SATB choir; 6')
We are Such Stuff as Dreams are Made On
(for mixed choir; 3')
MIXED CHOIR WITH INSTRUMENTS
All Souls
(cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
Barbara Allen
(oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
By the River
(for SATB choir and piano; 6')
#dreamsongs
(8 miniatures for choir, cello, and piano; 13')
For That Alone
(for treble choir, mens choir, violin, piano, and handbells; 6’)
Gather
(for mixed choir and pre-recorded sound; 5')
Hower-Glass
(for 6-part choir and piano; 6')
In Praise of the Mind
(anthem for SATB choir and brass quintet or organ; 4')
It Was My Father’s Custom
(for SATB choir, percussion, harp, and strings; 4' )
Just Delicate Needles
(for SSATB choir and piano; 4.5’)
No Room at the Inn
(for SATB choir and piano; 6')
Prayer
(anthem for SATB choir and piano; 6')
Requiem Humana
(secular mass for SATB soloists, SATB choir, string quartet, and mallet percussion; 45')
Shaking the Blues Away
(arrangement for SATB choir and piano; 5')
The Singing Place
(for SATB choir and piano; 5’)
The Snow Goose
(songs and incidental music for SATB choir, oboe, cello, piano, and percussion; 30’)
Sound and Fury
(for mixed-age boychoir, piano, violin, and drum; 6')
That Which Is Near
(for SATB choir, string quartet, and piano; 9’)
There Came a Wind Like a Bugle
(for SATB choir and piano; 3')
Una Sañosa Porfía and Ayo Visto Lo Mappamundi
(arrangements for youth choirs, recorder, harp, and string quartet; 7')
The White Birds
(for SATB choir and piano; 5')
TREBLE CHOIR
Across the Water
(for unison treble choir, SSA women’s choir, flute, guitar, and piano; 6')
"Invocation To The Muse" and "Persephone's Spring”
(for nine youth choirs, violin, cello, piano, and percussion; 13')
Love Song
(for SSAA choir; 6')
We Must Be Slow
(for SSA choir; 6')
LOW VOICE CHOIR
Rustin Songs
(for TTBB choir, piano, and percussion; 7')
Today and Tomorrow
(for TTBB choir, piano, and percussion; 2')
The Vine
(
for 3-part men's choir; 3')
Home
Biography
Works Composed
Vocal
Choral
Chamber
Dramatic Works
Orchestra & Band
More Music
Purchase
Contact
How To Believe In Magic