ALL WORKS

Across a Distance  (full-length music theatre work for soprano and Deaf actor, in two acts)
Across the Water (for unison treble choir, SSA women’s choir, flute, guitar, and piano; 6')
Advice To Those Like Me, With Hearts Like Kindling (song for soprano and piano; 4.5')
All Souls (cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
All Weeping Things (three songs for SATB choir a cappella; 11')
Annabel Lee (song for baritone and piano; 7')
At Last (for voice, cello, and piano; 4')
Aulis (for chamber orchestra; 7')
Ave Verum Corpus, after Byrd (for double choir, SSAATTBB; 10')
Barbara Allen  (oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
Behind Glass (for chamber orchestra; 9')
By the River (for SATB choir and piano; 6')
Clinging Fire (for symphony orchestra; 11')
DiPrima Songs (song cycle for soprano and clarinet; 12')
#dreamsongs (8 miniatures for choir, cello, and piano; 13')
A Dream Within A Dream (for SATB choir; 5')
Dynamo (for concert band; 6')
Effusion (for tuba and piano; 10')
Elder Tree (for viola and piano; 13')
Enlightenment (for one or two voices and piano; 4’)
Eternal Summer (for mixed choir; 5')
Evensong (song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
Facts About the Moon (for soprano, flute, cello, guitar, piano, and percussion; 11')
Fantasy Pieces (for clarinet and piano; 12')
For Lotte, Asleep (for piano quintet; 17')
For Miriam (5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
For That Alone  (for treble choir, mens choir, violin, piano, and handbells; 6’)
Forgotten Light (song cycle for voice and piano; 17')
Four Etudes (for wind quintet; 11')
GIC to HAR (for high voice and string quartet; 7')
A Gleam in Her Eye (for 3 percussionists; 8')
Grandma’s Kitchen (song cycle for high voice and piano with optional narrator; 20’)
Heat Lightning (for 2 harps, 3 percussionists, and piano; 7')
Hibernation (songs and incidental music for the English-language version of the Dutch children’s play)
Hower-Glass (for 6-part choir and piano; 6')
I Dreamed (song for baritone and small chamber orchestra; 5')
I'm Afraid It's You (song cycle for tenor / high voice and piano; 12')
In Praise of the Mind (anthem for SATB choir and brass quintet or organ; 4')
Instructions for Angels (for 6-part mixed choir; 6')
In Summer (for mixed choir a cappella; 3’)
"Invocation To The Muse" and "Persephone's Spring” (for nine separate youth choirs, violin, cello, piano, and percussion; 13')
Iphigenia At Aulis (opera in one act: 5 roles, 4 chorus parts, 10-piece orchestra; ca. 70')
Italian Art Songs and Arias, Reimagined (eight songs for voice and piano; 18')
It’s You I Like (arrangement for voice and piano; 3')
It Was My Father’s Custom (for SATB choir, percussion, harp, and strings; 4' )
Juno’s Garden (for SSATBB mixed choir; 5')
Just Delicate Needles (for SSATB choir and piano; 4.5’)
Just Thinking Of You (suite for piano solo; 15')
Keats Songs (song cycle for medium-high voice and piano; 14')
Kids Who Die (song / aria for voice and piano; 9’)
The Last Invocation (for 6-part mixed choir; 5')
Lily (for oboe, violin, viola, and horn; 6')
Little Things (for mixed choir, a cappella; 3’)
Love Song (for SSAA choir; 6')
Love Songs of Marichiko (13 songs for mezzo-soprano and piano; 25')
Meditation at Oyster River (song for soprano and piano; 9')
Metamorphosis (for voice and harp; 4')
Midwinter (I Sorrow Not) (for 5 choirs, a cappella; 6-9')
My Beloved (for unaccompanied solo voice; 3')
My Songs Do Not Belong To Me (song cycle for voice and piano; 15')
My Symphony (for voice and piano, also orchestrated for string quartet; 3')
The New Colossus (for voice and piano; 5')
The Night Knight (Madrigal Comedy for all ages, for 5-part mixed choir or 5 solo voices; 40')
Nimbus (for wind ensemble; 8')
A Noiseless Patient Spider (for voice and piano; 4’)
No Room at the Inn (for SATB choir and piano; 6')
Nova (for symphony orchestra; 12')
Now Blue October (for SSATTB choir; 4')
Outside the Leaves were Falling (for soprano, mezzo-soprano, tenor, and chamber orchestra; 10')
Patterns (for mezzo-soprano, flute, and piano; 9')
Peace, Everywhere (for mixed choir and 3-part descant; 5')
Piano Suite (3 short movements for solo piano; 7')
Player Piano (for singing actor and piano 4-hands; 5')
Prayer (anthem for SATB choir and piano; 6')
The Premonition (for SSATTB choir; 5')
The Raven (for string orchestra and timpani; 10')
Requiem Humana (secular mass for SATB soloists, SATB choir, string quartet, and mallet percussion; 45')
Return and Return Again (for voice and piano; 6')
The Road of Excess (for SSATTB mixed choir; 6')
Rustin Songs (for TTBB choir, piano, and percussion; 7')
Seven Princesses and a Bear (full-length ballet score for string quartet and piano; 52’)
Shadow Songs (song cycle for soprano and violin; 10')
Shaking the Blues Away (arrangement for SATB choir and piano; 5')
She Waits for Me  (for mixed choir, a cappella; 4’)
Since I Left You (for tenor, violin, guitar, and harp; 4')
The Singing Place (for SATB choir and piano; 5’)
The Snow Goose (songs and incidental music for SATB choir, oboe, cello, piano, and percussion; 30’)
Songs for Marie's Lutebook (for voice and guitar; 8')
A Song that's True (chamber opera for children; 45')
Sound and Fury (for mixed-age boychoir, piano, violin, and drum; 6')
The Space Between (song cycle for high voice and piano; 20')
Spelt from Sibyl's Leaves (song for medium-high voice, violin, and harp; 7' (2001)
Spring (duet for two sopranos and piano; 5')
Super Storm!  (opera for young audiences, for 4 solo singers, children’s choir, and pianist; 45’)
A Tango for Closed Eyes (for violin, alto sax, tenor sax, guitar, piano, and double bass; 5')
Ten Thousand Miles (arrangement for quadruple SATB choirs; 5')
That Which Is Near (for SATB choir, string quartet, and piano; 9’)
There Came a Wind Like a Bugle (for SATB choir and piano; 3')
Time and Time Again (for string quartet; 15')
To Keep The Dark Away (song cycle for soprano, cello, and piano; 16’)
To Wander in the Dark (song cycle for high voice and piano; 18')
Today and Tomorrow (for TTBB choir, piano, and percussion; 2')
Two Spring Songs (for SATB choir; 6')
Una Sañosa Porfía and Ayo Visto Lo Mappamundi (arrangements for youth choirs, recorder, harp, and string quartet; 7')
Unearthed (full-length musical in two acts: 8 roles plus a three-person chorus; 5 instrumentalists)
Violi Songs (song cycle for voice and piano; 8')
The Vine (for 3-part men's choir; 3')
We are Such Stuff as Dreams are Made On (for mixed choir; 3')
We Must Be Slow (for SSA choir; 6')
What We Did Not Know (song cycle for bass-baritone and piano; 17')
The White Birds (for SATB choir and piano; 5')
Wisp (for solo flute; 7')
Worship Songs (two songs for high voice and percussion; 10’)
4th Avenue (for solo piano; 5')