Scott Gendel
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How To Believe In Magic
ALL WORKS
Across a Distance
(full-length music theatre work for soprano and Deaf actor, in two acts)
Across the Water
(for unison treble choir, SSA women’s choir, flute, guitar, and piano; 6')
Advice To Those Like Me, With Hearts Like Kindling
(song for soprano and piano; 4.5')
All Souls
(cantata for soprano & baritone soloists, SATB choir, string orchestra, piano, and percussion; 35')
All Weeping Things
(three songs for SATB choir a cappella; 11')
Annabel Lee
(song for baritone and piano; 7')
At Last
(for voice, cello, and piano; 4')
Aulis
(for chamber orchestra; 7')
Ave Verum Corpus, after Byrd
(for double choir, SSAATTBB; 10')
Barbara Allen
(oratorio for large mixed choir, soprano & tenor soloists, and chamber orchestra; 70')
Behind Glass
(for chamber orchestra; 9')
By the River
(for SATB choir and piano; 6')
Clinging Fire
(for symphony orchestra; 11')
DiPrima Songs
(song cycle for soprano and clarinet; 12')
#dreamsongs
(8 miniatures for choir, cello, and piano; 13')
A Dream Within A Dream
(for SATB choir; 5')
Dynamo
(for concert band; 6')
Effusion
(for tuba and piano; 10')
Elder Tree
(for viola and piano; 13')
Enlightenment
(for one or two voices and piano; 4’)
Eternal Summer
(for mixed choir; 5')
Evensong
(song cycle for soprano, alto flute, 2 violins, harpsichord, and cello; 11')
Facts About the Moon
(for soprano, flute, cello, guitar, piano, and percussion; 11')
Fantasy Pieces
(for clarinet and piano; 12')
For Lotte, Asleep
(for piano quintet; 17')
For Miriam
(5 love songs for voice and piano, also orchestrated for chamber orchestra; 11')
For That Alone
(for treble choir, mens choir, violin, piano, and handbells; 6’)
Forgotten Light
(song cycle for voice and piano; 17')
Four Etudes
(for wind quintet; 11')
GIC to HAR
(for high voice and string quartet; 7')
A Gleam in Her Eye
(for 3 percussionists; 8')
Grandma’s Kitchen
(song cycle for high voice and piano with optional narrator; 20’)
Heat Lightning
(for 2 harps, 3 percussionists, and piano; 7')
Hibernation
(songs and incidental music for the English-language version of the Dutch children’s play)
Hower-Glass
(for 6-part choir and piano; 6')
I Dreamed
(song for baritone and small chamber orchestra; 5')
I'm Afraid It's You
(song cycle for tenor / high voice and piano; 12')
In Praise of the Mind
(anthem for SATB choir and brass quintet or organ; 4')
Instructions for Angels
(for 6-part mixed choir; 6')
In Summer
(for mixed choir a cappella; 3’)
"Invocation To The Muse" and "Persephone's Spring”
(for nine separate youth choirs, violin, cello, piano, and percussion; 13')
Iphigenia At Aulis
(opera in one act: 5 roles, 4 chorus parts, 10-piece orchestra; ca. 70')
Italian Art Songs and Arias, Reimagined
(eight songs for voice and piano; 18')
It’s You I Like
(
arrangement for voice and piano; 3')
It Was My Father’s Custom
(
for SATB choir, percussion, harp, and strings; 4' )
Juno’s Garden
(
for SSATBB mixed choir; 5')
Just Delicate Needles
(
for SSATB choir and piano; 4.5’)
Just Thinking Of You
(
suite for piano solo; 15')
Keats Songs
(
song cycle for medium-high voice and piano; 14')
Kids Who Die
(
song / aria for voice and piano; 9’)
The Last Invocation
(
for 6-part mixed choir; 5')
Lily
(f
or oboe, violin, viola, and horn; 6')
Little Things
(
for mixed choir, a cappella; 3’)
Love Song
(
for SSAA choir; 6')
Love Songs of Marichiko
(
13 songs for mezzo-soprano and piano; 25')
Meditation at Oyster River
(
song for soprano and piano; 9')
Metamorphosis
(
for voice and harp; 4')
Midwinter (I Sorrow Not)
(
for 5 choirs, a cappella; 6-9')
My Beloved
(
for unaccompanied solo voice; 3')
My Songs Do Not Belong To Me
(
song cycle for voice and piano; 15')
My Symphony
(
for voice and piano, also orchestrated for string quartet; 3')
The New Colossus
(
for voice and piano; 5')
The Night Knight
(
Madrigal Comedy for all ages, for 5-part mixed choir or 5 solo voices; 40')
Nimbus
(f
or wind ensemble; 8')
A Noiseless Patient Spider
(
for voice and piano; 4’)
No Room at the Inn
(
for SATB choir and piano; 6')
Nova
(
for symphony orchestra; 12')
Now Blue October
(
for SSATTB choir; 4')
Outside the Leaves were Falling
(
for soprano, mezzo-soprano, tenor, and chamber orchestra; 10')
Patterns
(
for mezzo-soprano, flute, and piano; 9')
Peace, Everywhere
(
for mixed choir and 3-part descant; 5')
Piano Suite
(
3 short movements for solo piano; 7')
Player Piano
(f
or singing actor and piano 4-hands; 5')
Prayer
(
anthem for SATB choir and piano; 6')
The Premonition
(
for SSATTB choir; 5')
The Raven
(
for string orchestra and timpani; 10')
Requiem Humana
(s
ecular mass for SATB soloists, SATB choir, string quartet, and mallet percussion; 45')
Return and Return Again
(
for voice and piano; 6')
The Road of Excess
(
for SSATTB mixed choir; 6')
Rustin Songs
(for TTBB choir, piano, and percussion; 7')
Seven Princesses and a Bear
(
full-length ballet score for string quartet and piano; 52’)
Shadow Songs
(s
ong cycle for soprano and violin; 10')
Shaking the Blues Away
(
arrangement for SATB choir and piano; 5')
She Waits for Me
(
for mixed choir, a cappella; 4’)
Since I Left You
(
for tenor, violin, guitar, and harp; 4')
The Singing Place
(
for SATB choir and piano; 5’)
The Snow Goose
(s
ongs and incidental music
for SATB choir, oboe, cello, piano, and percussion; 30’)
Songs for Marie's Lutebook
(
for voice and guitar; 8')
A Song that's True
(
chamber opera for children; 45')
Sound and Fury
(
for mixed-age boychoir, piano, violin, and drum; 6')
The Space Between
(
song cycle for high voice and piano; 20')
Spelt from Sibyl's Leaves
(
song for medium-high voice, violin, and harp; 7' (2001)
Spring
(
duet for two sopranos and piano; 5')
Super Storm!
(
opera for young audiences, for 4 solo singers, children’s choir, and pianist; 45’)
A Tango for Closed Eyes
(
for violin, alto sax, tenor sax, guitar, piano, and double bass; 5')
Ten Thousand Miles
(
arrangement for quadruple SATB choirs; 5')
That Which Is Near
(
for SATB choir, string quartet, and piano; 9’)
There Came a Wind Like a Bugle
(f
or SATB choir and piano; 3')
Time and Time Again
(f
or string quartet; 15')
To Keep The Dark Away
(
song cycle for soprano, cello, and piano; 16’)
To Wander in the Dark
(
song cycle for high voice and piano; 18')
Today and Tomorrow
(for TTBB choir, piano, and percussion; 2')
Two Spring Songs
(
for SATB choir; 6')
Una Sañosa Porfía and Ayo Visto Lo Mappamundi
(arrangements
for youth choirs, recorder, harp, and string quartet; 7')
Unearthed
(full-length
musical in two acts:
8 roles plus a three-person chorus; 5 instrumentalists)
Violi Songs
(song cycle
for voice and piano; 8')
The Vine
(
for 3-part men's choir; 3')
We are Such Stuff as Dreams are Made On
(
for mixed choir; 3')
We Must Be Slow
(
for SSA choir; 6')
What We Did Not Know
(
song cycle for bass-baritone and piano; 17')
The White Birds
(
for SATB choir and piano; 5')
Wisp
(
for solo flute; 7')
Worship Songs
(
two songs for high voice and percussion; 10’)
4th Avenue
(
for solo piano; 5')
Home
Biography
Works Composed
Vocal
Choral
Chamber
Dramatic Works
Orchestra & Band
More Music
Purchase
Contact
How To Believe In Magic